I am wondering if the situation is that corpus linguistics can't pick up the subtleties of a writer like Cohen and that all I can do is a few basic metrics and then analyse some individual lyrics. Perhaps my findings will be as much about the state of corpus linguistics as they are about Cohen. How can a computer deal with Field Commander Cohen, when the narrator seems to be at least two people having an argument? And maybe there is a third in there somewhere?
Next week we are having a number of house guests for a few days. Bed linen mostly ready. Menu spreadsheet done. First shopping list prepared.
The life of a 66 year old English woman who has completed an MA course in linguistics and is soon to start a science course which she hopes will lead to an Astrophysics degree.
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Showing posts with label field commander cohen. Show all posts
Showing posts with label field commander cohen. Show all posts
Wednesday, 30 October 2013
Monday, 21 October 2013
What to do
I keep thinking about my Supervisor's suggestion to measure Cohen against other artists. This is not how I envisaged this going. I think there is enough in Cohen's complexity of portrayal to be a study in itself. I don't want to do the usual of counting up words and then reaching conclusions like 'Cohen uses words for parts of the body 3 times as often as Dylan, who uses words for geographical places and features 10 times more than Cohen'. (Note: I made those figures up) Cohen presents himself as a lover in songs like 'Marianne' and as a (flawed) revolutionary leader in 'Field Commander Cohen'. He is a helpless pawn in 'Tower of Song' and some think he is conversing with his younger self in 'Famous Blue raincoat'. All of this is much more fascinating to me. I need to get S on-side.
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